Unfortunately the audio isn’t working on the videos and is totally borked. That being said, you can still see that they are having a whole bunch of fun.

It was a great day and my oldest bay said “That is the most fun we’d had outside ever!”  It makes me proud that I can pass on the love of the outdoors and skating to my family.

Introduction:

CompactFlash cards are not very popular anymore as Secure Digital cards are typically much cheaper.  That being said, pro-sumer Digital SLR cameras as well as full Professional SLR cameras use CompactFlash as it seems to be more reliable and is certainly faster when it comes to continuous write speeds.  Today we are taking a look at a very expensive 16GB card from SanDisk that is from their flagship line – the Extreme Pro.  These cards claim to have a write speed of up to 90MB/sec – making them some of the fastest flash cards to ever hit the general public.  How much will this set you back?  SanDisk lists the MSRP at a mere $335.99USD currently.  Before you choke and run away, let’s take a look and see if this price tag is justified in any way, shape or form.

About SanDisk:

Founded in 1988 by Dr. Eli Harari, an internationally recognized authority on non-volatile memory technology, SanDisk has grown to become the world’s largest supplier of innovative flash memory data storage products.

Serving both consumers (with more than 240,000 retail storefronts worldwide) and original equipment manufacturers (OEMs), SanDisk designs, develops, manufactures and markets flash storage products for a wide variety of electronic systems and digital devices. SanDisk also licenses its technology to a number of other industry-leading companies.

With flash memory’s capability for storing large amounts of data in a compact, removable or embedded format, SanDisk’s products have helped drive the exponential growth in sales of digital cameras, multi-function mobile phones, USB flash drives, digital audio/video players, and other digital consumer devices.

SanDisk currently has more than 1,100 U.S. patents, more than 600 foreign patents, and more than 1440 patent applications pending in the U.S. SanDisk is the only company, worldwide, that has the rights to both manufacture and sell every major flash card format, including CompactFlash®, SD™, miniSD™, microSD™, MultiMediaCard™, Reduced Size MultiMediaCard (RS-MMC™), Memory Stick PRO™ and related Memory Stick® products, xD-Picture Card™ and USB flash drives.

SanDisk became a publicly traded company (NASDAQ:SNDK) in November 1995, and in 2008 revenues were 3.3 billion. With more than 3,400 employees worldwide, SanDisk is headquartered in Milpitas, California.

First Look:

My interest in a fast CompactFlash card was recently piqued when I picked up a Nikon D300s DSLR.  This card uses both SD and CF media and you can specify which picture format gets stored on each card.  Normally I take pictures and save them lossless as RAW (NEF) as well as JPG.  I love the convenience of the Eye-Fi SD card for uploading my pictures to Flickr and to my computer and it is nice to have all the RAW files stored on a separate card.  The problem is that each RAW image is over 9MB and the camera takes up to 8FPS with a battery grip.  It doesn’t take long to fill the buffer and start slowing the camera down.

CF Pin Holes

In Camera

The Extreme Pro series of CompactFlash cards come in 16GB, 32GB and 64GB capacities and can cost you almost $900 for the 64GB version.  These cards are not for the weak of heart, but they do offer a nice bunch of features.

Features & Specs:

The following information has been pulled from the SanDisk product page and posted here for your convenience.

Now there’s a memory card fast enough to keep up with your advanced DSLR: The SanDisk Extreme® Pro™ CompactFlash® card. With lightning-fast (up to 90 MB/s* read/write) speed, you’ll be able to capture more continuous burst shooting-and get the most out of your professional digital SLR camera. And with up to 64GB** of storage, you’ll be ready for more RAW+JPEG and high-def video.

SanDisk engineered its Power Core™ Controller to take whatever your camera’s buffer can dish out. By distributing image data across the card more rapidly and efficiently, this card delivers professional performance.

• READ & WRITE PERFORMANCE: Up to 90MB/s (600x)* for serious performance gains.
• CAPACITIES: 16GB, 32GB, 64GB** give you more room to capture RAW+JPEG, sequential bursts and high-definition video
• UDMA: UDMA 6 enabled (works in all UDMA modes)
• POWER CORE CONTROLLERTM & ENHANCED SUPER-PARALLEL PROCESSINGTM “ESP”: Was invented by SanDisk to increase the card’s performance level.
• TEMPERATURE: Tested to perform from -25°C to 85°C (-13°F to 185°F)
• SPECIFICATION: Meets CFA Specification Type I Card
• DURABILITY: Shock protection and RTV silicone coating added inside for protection against moisture and humidity
• WARRANTY: Backed by rigorous stress-testing procedures and our limited lifetime warranty.
  * Up to 90MB/s read/write. Based on SanDisk internal testing: performance may be vary depending upon host device. **1 megabyte (MB) = 1 million bytes. X = 150 KB/sec. and 1 gigabyte (GB) = 1 billion bytes
  † 30 years warranty in Germany and regions not recognizing Limited Lifetime warranty
  Not all cameras can support 64GB capacity CompactFlash cards. Please check with your camera manufacturer for 64GB compatibility.

On the next page we’ll take a look at this cards performance in our camera and on our computer.

Test Setup:

For this review we used the speedy Addonics ADSACF-N SATA CompactFlash card reader .  This device supports UDMA enabled CompactFlash cards and is about the fastest CompactFlash card reader we could get our hands on with short notice.  Some Firewire 800 card readers are available as well and they should certainly push the limits of this card.  As previously mentioned, we also used a Nikon D300s DSLR camera that shoots in continuous mode at 7FPS with the built-in battery and up to 8FPS with the additional MB-D10 battery pack.  For this review we used the MB-D10 battery grip in order to push the limits of this card.

For comparison in both HDTach as well as the actual camera tests, we compared the SanDisk Extreme Pro 600x card with an affordable Lexar 8GB 80x card.  Obviously the difference should be obvious, but it is interesting to see how much difference there is in the real world.

Sandisk Features

While the Extreme Pro supports UDMA 6 (Ultra ATA/133), the Addonics Card Reader only supports UDMA 5 (Ultra ATA/100).  This is still faster than any built-in USB card reader on your laptop or desktop computer and HDTach should show some interesting performance.

Performance Testing:

We start things off with a look at HDTach and compare the Lexar 8GB 80x card against the SanDisk 16GB 600x card.  As you can see read performance is taken care of by the SanDisk card.  It doesn’t come close to its 90MB/sec speed, but it does burst to over 67MB/sec and averages 34.6MB/sec read speed.  Compare this to the Lexar card which bursts to 15.9MB/sec and averages a 15.6MB/sec read speed.

Click for Larger Image

With those numbers in mind, we popped these cards into the D300s and started clicking.  We shot images in bright daylight at 1/200 shutter speed at ISO100, with no noise reduction.  The Tokina 11-16mm lens was set at f2.8 and we ran through a couple of tests.  The first test was to see how fast the camera could fill the buffer and once it was full, we’d take two more frames to get our first result.  In RAW mode, the images at 4288×2848 and were averaging about 9.28MB in size.  The SanDisk card shot 20 images in exactly 3 seconds.  The buffer filled at about 18 images and we snapped a couple more for a realistic result.  The Lexar card started out pretty good, but when the buffer filled, it slowed down to a crawl as it couldn’t write data very fast.  We took 19 images in 5 seconds with this card.

Once we did the initial speed test, we timed out how long it took to take 30 images.  Once again we started out with the SanDisk Extreme Pro and we took 30 images in 5 seconds flat.  That works out to six images per second – including the time it take to write to the card once the buffer is full.  The Lexar card took 19 seconds to snap the same 30 image set.  The first 17 were very fast, but the next images were painfully slow.

• Lexar – 19 images in 5 seconds = 9.28MB/image * 19 Images / 5 sec. = 35.26MB/sec write
• Lexar – 30 images in 19 seconds = 9.28MB/image * 30 Images / 19 sec. = 14.65MB/sec write
• SanDisk – 20 images in 3 seconds = 9.28MB/image * 20 Images / 3 sec. = 61.9MB/sec write
• SanDisk – 30 images in 5 seconds = 9.28MB/image * 30 Images / 5 sec. = 55.68MB/sec write

The above information doesn’t really indicate actual write speed as the camera buffer is holding 17 images and writing as fast as possible.  The reality is that you can continue to shoot 5 images per second while the SanDisk card is writing data and the Lexar card takes over a second to write a single image.  The Lexar card is more than 6x slower in the real world.

Conclusion:

While I’m sure that most people wouldn’t consider spending $250+ on a 16GB CompactFlash Card, if you’re a budding photographer and you just have to capture that action shot to get your big break, the SanDisk Extreme Pro card won’t leave you waiting.  It writes incredibly fast, reads data from the card in a snap and worked flawlessly through the weeks that we pounded this card in our tests.  We used it in low temperatures -10C without issues and I’m confident that this card will keep on kicking long after your SD cards have corrupted.  In the D300s, I used it to record my RAW images and sent the JPEGs to an SD card and this convenience and performance is fantastic.

The bottom line is this: “Would I spend $250 on this card?”  I wish I had $250 to spend on it as it gives you the freedom to shoot as much as you need to without worrying about slowing down your camera considerably while the card writes images from the buffer.  The performance you gain from this card is remarkable – if you have a fast camera – but you’ll have to decide if the performance is worth the price.  This makes it hard to score value – as it is extremely expensive for 16GB of storage, but for the speed it is priced not too badly.

If you’re even considering this card, you probably have over $2000 worth of camera kit hanging around your neck and this would only represent about 10% of your investment.  If you look at it that way, it’s probably not a bad buy.

Pros:

• Lightning Fast Speed
• Durable CompactFlash Design
• Lifetime Warranty
• Extreme Temperature Capability

Cons:

• Not as fast as stated
• Expensive

I’d like to thank SanDisk for loaning out this Extreme Pro CompactFlash card for us to look at.  My only regret is that I have to send it back…

That being said, I’m pretty happy with how this shot turned out last year.  I believe I was using a D60 at the time.  It worked out quite well and I really like the depth of field in this image.

If you want to take a look at a few other winter pictures and such, I’ve got a couple more worth looking at over in my “Ben Heide” flickr stream.  I’d love to hear your thoughts and comments.

In about a month, I’ll be heading down to the Consumer Electronics Show in Las Vegas, NV and will be taking along my camera of course and hope to get some nice night shows of the Las Vegas Strip.  Time will tell how it all works out, but I’m hoping for some nice long exposure shots as well as a some HDR action.

The beauty of this software is that it allows you remotely tigger your camera, adjust ISO, exposure, aperture and more – all from your iPod or iPhone.  If your camera is capable of “Live View”, it will also stream the live image through the lens to your iPod.  It sounds almost too good to be true, and at $20 for the “Pro” version, it is probably one of the cheapest camera accessories that money can buy.  That being said it’s super powerful – but there is one caveat – your camera must be connected to a Windows or Mac computer that in turn is connected to a wireless network.  This makes it not as handy out in the field, but still a nice tool – especially if you have a USB powered router like the Trendnet TEW-652TR Travel Router.

With that being said, I play to take it to Bonerak’ageddon this weekend in Lethbridge and should be able to upload some photos of the event to Flickr.  I’ll also try livestreaming some of the gaming and Windows 7 festivities on Qik.  Stay tuned.

Part of my job description and life vocation is a Youth Leader/Pastor at a church here in Vulcan, Alberta.  Recently to kick off the fall season of our Youth Group, we took a trip to Calaway Park in Calgary, AB and then more recently we headed down south to the Corn Maze.  If interested in some fun pictures you can head on over to the VulcanYouth.com Gallery.

On the way home last night I stopped at the top of a hill overlooking the “Flat” and took a picture.  It was almost full-dark with just a wee bit of light on the horizon, but the lights from farms and small towns around the country looked quite pretty.  The picture above was taken with a 50mm f1.8 Nikon lens – not even close to the idea lens for this shot, but it was on the camera, so I took it anyway.  Our rugged rocky mountains are in the distance.

BCCHardware bought a few items for the WeeklyTechUpdate.com Podcast including a Behringer XENYX 1204 Mixer, a couple of CAD microphones, Samson USB Microphone and enough cables to make everything work right and connect properly.  I made several trips to the store over the past few weeks and dealt with different sales people everytime.  I was continuously amazed at the knowledge and helpfulness of the people at the store.  Unlike many other audio shops, they were eager to sell us what we needed, not what they made the most commission on.  Not only did they know the store, but they new exactly what was required to make quicker, cleaner connections and to get us going in a hurry.  Hats off to everyone at the Blackfoot Tr. store.

On a more personal note, the other place that I’ve been hanging out at a bit is Saneal Camera.  I recently took a trip down to Livingston, Montana and spent a couple of days in Yellowstone national park.  Before I left, I wanted to make sure I had an extra battery for my D90 and a couple of Neutral Density filters for slowing down time to take some interesting pictures.  Again, everytime I go into Saneal I speak with one of three people and they know their stuff.  From the D90 directly to filters, lenses, and even giving me some tips, they were super helpful – both before and after sales.

In this day and age it’s hard to find people that know what they are doing.  Many people that work in retail do so for the paycheck and they don’t know the product at all.  In my experience, Saneal Camera and Axe Music have done a great job hiring people that love what they are doing – or are willing to spend the time and money properly training people.  This greatly increases my respect for both these companies and the people who work there.  I’ll be going back again and again; and no they haven’t paid or sponsored me for this post.

Most “bloggers” continuously rant on one thing or another and I thought it was high time that someone give praise where it’s due.  Axe and Saneal certainly deserve a bit of praise in my book.

If Daniel is unable to make it tonight, we will be hosting a live stream over at Ustream.tv The topics tonight will include some of the following stories:

1. Google Voice, AT&T and the FCC
2. Firefox – Over 1 Billion Served
3. Jailbreaking crashes cell towers says Apple
4. RIAA wins money but not respect

There should be some interesting discussion tonight so stay tuned as the show will be available on iTunes on Tuesday!

Introduction:

Today I’m taking a look at a bit of a different product here at BenHeide.com.  Usually, we work more with computer and consumer electronics, but we are heading down the road with our SLR today and looking at the Joby Ballhead.  A ballhead is an attachment that interfaces between your camera and your tripod, giving you greater flexibility for holding your camera at any angle you choose and keeping it stable.  The Joby Ballhead is designed to work with their SLR-Zoom Gorillapod, but will work with many other tripods.

Ballhead Box

Lean Bundle

Features & Specifications:

Let me quickly cover the features and specifications on this unit.  The information has been pulled from the Joby product page and reprinted here for your convenience.

Built with the serious photographer in mind, the Joby Ballhead is lightweight and compact, yet still robust enough to support SLR cameras with zoom lenses. It further extends the functionality of the Gorillapod by allowing even more creative camera positions and an improved ability to capture great shots!
Full 360-degree panning, and 90-degree tilt.
Position your camera at virtually any angle; get portrait or landscape shots with ease.
Adjustment knob easily locks the Ballhead into place, securing it tightly.
The adapter screw allows the Ballhead to accommodate both 3/8″ and 1/4″ threads, allowing it to be used with virtually any tripod.
The slim-line quick-release clip with bubble level stays connected to your camera and snaps into the Ballhead for nearly instant setup.

Assembled

Head And Clip

Intended for: SLR cameras with or without
zoom lenses, and camcorders
Max weight load: 3kg (6.6 lbs)
Material: Precision-machined aluminum
housing, with all-metal ball.
Slim-line clip: Universal ¼-inch camera
screw, with additional 3/8-inch adapter
Size: 68 x 45 x 63mm (2.7 x 1.8 x 2.5″)
Weight: 150g (5.3oz)
Habitat: most comfortable atop the
Gorillapod SLR-ZOOM, but compatible
with many tripods.

General Usage:

While many people don’t associate Joby and the Gorillapod with serious photographers, the truth is their products are incredible.  The flexibility of a Gorillapod allows you to attach your camera to a railing, a tree limb, car mirror and pretty much anything else it can wrap its legs around.  I have purchased the Gorillapod SLR-Zoom for use with my Nikon D90 at 18-200mm lens, and it works very well.  The SLR-Zoom Gorillapod is rated for 6.6lbs, and it holds my camera easily and very steady – even with a hefty piece of glass hanging off the front.  The only downside to the Gorillapod is the inability to easily position your camera flat, or at a 90° angle easily.  The Joby Ballhead addresses this issue – for another $45USD.

I recently took a trip to Yellowstone National Park with my Gorillapod but without the Ballhead.  That was a big mistake.  I took some long exposure photographs with ND-8 and ND-4 filters, but without the ballhead, things were a little tricky to ensure the camera was level.  Since I’ve returned home from this trip, the quick release plate sits permanently fixed to my camera so that I can use the ballhead every time I use the Gorillapod.

The design of the Ballhead makes it easy to have your camera level, at a 45° angle or even a full 90° portrait position.  The single knob enables you to lock the aluminum ball in place and even rotate the base of the unit.

I really like the simple, low profile design of the Joby Ballhead as it doesn’t add a lot of height to any tripod.  Also the universal design makes it possible to use on almost any other tripod as well.  This gives a lot of flexibility to the unit and gives it broader appeal.

Final Thoughts:

The Joby Ballhead for the Gorillapod SLR-Zoom is a nice addition to the Joby lineup.  It’s not a heavy-duty ballhead with its weight rating of 6.6lbs, but it can easily hold most SLR cameras with a moderate zoom lens.  If you are using any DSLR with the included kit lens of 18-70mm, you won’t have any issues with the Joby Ballhead at all.  If you are pushing the limit of the weight rating with a battery grip and large zoom lens, you’ll find that the camera won’t stay in position very well at the 90° angle.  This is mostly due to the small grippy plate on the quick release clip.  A larger plate would hold the camera better.

n terms of price, at $45USD the Joby Ballhead is pretty much in the middle of the pack when it comes to its weight class.  A quick look over at Adorama showed that you can find other Ballheads in a very similar price range – some with quick release clips and some without.  Either way, Joby has priced their Ballhead competitively.

My only regret with this unit is that Joby didn’t make it earlier.  Well, that and a larger plate for better camera stability.  Regardless, it’s still a nice product that you won’t regret purchasing – especially if you already own a Gorillapod.

Pros:

• Solid construction – smooth aluminum ball and socket
• Quick Release plate
• Spirit level
• Single rubber knob for adjustment
• Holds camera at 0°, 45° and 90°

Cons:

• Plate could be a bit bigger – would hold camera better at different angles

On this trip, I’ll be trying out some neutral density filters as well as logging my pictures with an on-camera GPS system. I just hope my 18-200mm F3.5-5.6 lens is fast enough for some distant shots of wildlife. If I can get close enough, I’ll be shooting with a 50mm F1.8.

My camera bag is packed and ready to go, and this will be the first real test of my LowePro Fastpack 250 and my Ideapad S10e. It should be a fun trip and I’ll be sharing pictures on my Flickr stream.

Over in the Social Stuff, I’m taking down Last.FM as they now charge a monthly fee to listen to internet radio.  I’m replacing that with my Zune details, as I’ve been a Zune Pass and Zune Social member for a while now – and love it!